//
RE-
With Stanislaw Mirrowenkowitsch, Zeno Gabaglio, Theodor di Ricco and Frederic Schröder
16.12.2009
GRIMMUSEUM, Berlin
Duration: 20 min.
Materials: 10 forks, 2 apples, 2 breads, cardboard, nails, hammer, pencil, post-it, Nivea cream, candles with the letters Y, O, U, powdered paprika, string, letters soup, baking tin.
In the space are the traces of a happened performance. The musician Zeno Gabaglio played his elaborated sound of it. Then the writer Stanislaw Mirrowenkowitsch read out a text, that describes all the actions. After, the performance artist Theodor di Ricco gave an art historical perspective about my performance and that of the performance from Johannes Deimling. Afterward, the performative theory professor Frederic Schröder opened philosophical questions about the whole performance RE-
In this work the documentation of a performance becomes the performance.
I remade the performance “What’s in my head I” (2009) by BBB Johannes Deimling, that I saw live at K-Salon (Berlin). I re-perform it from my memory for four special guests - a writer, a musician, a performance artist and a performative theory professor - two days before my performance’s date and I leave the action’s traces in the space. These guests perform my remake performance for the audience.
©Zeno Gabaglio
© Stanislaw Mirrowenkowitsch
©Theodor di Ricco
Frederic Schröder
© Andrés Galeano
With Stanislaw Mirrowenkowitsch, Zeno Gabaglio, Theodor di Ricco and Frederic Schröder
16.12.2009
GRIMMUSEUM, Berlin
Duration: 20 min.
Materials: 10 forks, 2 apples, 2 breads, cardboard, nails, hammer, pencil, post-it, Nivea cream, candles with the letters Y, O, U, powdered paprika, string, letters soup, baking tin.
In the space are the traces of a happened performance. The musician Zeno Gabaglio played his elaborated sound of it. Then the writer Stanislaw Mirrowenkowitsch read out a text, that describes all the actions. After, the performance artist Theodor di Ricco gave an art historical perspective about my performance and that of the performance from Johannes Deimling. Afterward, the performative theory professor Frederic Schröder opened philosophical questions about the whole performance RE-
In this work the documentation of a performance becomes the performance.
I remade the performance “What’s in my head I” (2009) by BBB Johannes Deimling, that I saw live at K-Salon (Berlin). I re-perform it from my memory for four special guests - a writer, a musician, a performance artist and a performative theory professor - two days before my performance’s date and I leave the action’s traces in the space. These guests perform my remake performance for the audience.
©Zeno Gabaglio © Stanislaw Mirrowenkowitsch©Theodor di RiccoFrederic Schröder © Andrés Galeano